As I’m writing this, NXT UK is holding tapings for new episodes of this show, which will start airing in two weeks. I almost don’t believe it. Whoever had five months in the hiatus pool wins. Andy Shepherd shows the new set at BT Sports Studio in London. Kinda funny that WWE is doing all this studio wrestling while NWA is on hiatus. And they’ve also got a previously unaired match for us.
March 7, 2020 – Coventry, West Midlands
WALTER def. Ridge Holland
This, along with the Ilja Dragunov vs. A-Kid match, were originally meant to be the go-home matches before Takeover: Dublin. I wonder if that Takeover will ever happen. They clearly wanted to get Holland over as a big deal, giving him a lot of offense on WALTER and having the champion fight back from behind most of the time. Maybe this wasn’t meant to air until after Takeover, though that assumes that Dragunov was going to lose the title match there. Otherwise, it seems strange to me that they’d give Holland so much here. Alexander Wolfe came out and distracted Holland, leaving him open to get hit with a big boot and a lariat from WALTER at 9:03. ***
Drew McIntyre and Adam Cole talk about seeing WALTER in locker rooms on the indies and being struck by his size and presence. William Regal and Timothy Thatcher add their two cents as well.
They run the tag team division video again. I think they’ve added a bit of new promo footage, but it’s hard to tell because it’s all quite generic. I’m starting to come around on Pretty Deadly.
We get a deep dive on Dragunov, starting with his move from Russia to Germany as a child. He grew up poor and his mother worked many jobs while going to school to get recertified as a teacher. He got beat up when he was ten years old and resolved to never feel that weak again. Wrestling became a way for him to express myself and have his identity as an outsider be celebrated. I wish they’d talked a bit more about his wrestling career, as the video sort of devolved into loud music without substance. Otherwise, this was a wonderful way to build sympathy for Dragunov.
Next week, a big announcement about the future of NXT UK and of who Kay Lee Ray’s next challenger will be.
WALTER is impressed with Ilja Dragunov, but he was impressed with all of British Strong Style and he took them all down anyway. They show a very cool recap of the number one contender battle royal that Dragunov won. I really liked that match, and I really like this look back at it. Then they show the rest of the match from the final four to the end.
Anyone reading my reviews probably knows that WWE Network is now streaming wXw, Progress, and EVOLVE shows in their new indie section. They posted a Progress show with a Dragunov vs. WALTER match that I actually thought they’d show on this episode. They didn’t but I’m going to review it anyway.
July 7, 2019 – Manchester, Greater Manchester
WALTER def. Ilja Dragunov {Progress Unified World Championship Match}
From PROGRESS Chapter 92: Entertaining Friends. WALTER comes out with both PROGRESS titles (the World Championship and the Atlas Championship, which he’d won just a couple months earlier) and the NXT UK Championship belt. It’s a very Triple Crown vibe. Speaking of, they had a total King’s Road style match, where Dragunov had to suffer through WALTER’s onslaught and find openings to start picking away at his much larger opponent. Then, when his comebacks started to get cut off, he had to gut through WALTER’s suplexes in order to get more offense in. He kicked out of one of WALTER’s world-ender moves and survived an STF that made more veins pop out in his neck than I knew a human had. He tried to hit the Torpedo Moskau out of a chop battle, got caught in a choke, but countered to a DVD. He also kicked out of WALTER’s crazy powerbomb. Some of the dramatics around Dragunov’s attempted cradle piledriver were dumb, but that’s the only part of the last ten minutes of this match that I didn’t like. WALTER’s final lariat for the win at 23:22 was also a little anticlimactic after everything else, but that’s also part of the style of match they were working and the crowd just wasn’t really on board. ****¼